-
In West Bengal, a museum in a mud house now has the world’s attention
Charlotte Jansen, Stir World, December 11, 2024 -
Enter the 'Rabbit’s Hole' of artist Amitesh Shrivastava’s work at this exhibition in Mumbai
Shriram Iyengar, Mid Day, November 20, 2024 -
The Elemental You: A Contemplative Journey Through Earth, Ecology, and Art
Serenade Magazine, November 17, 2024 -
Scrapbook's Artists & Aesthetes series presents artist Ashwini Bhat
Renuka Sawhney, Scrapbook by Aesthete, October 25, 2024 -
Whispers of Memory: Amol K Patil on Sculpting Stories of Resistance
Serenade Magazine, October 23, 2024 -
Raphael Fonseca’s Top Picks from Frieze Viewing Room
Frieze, October 7, 2024 -
Pallavi Paul
Review of 'How Love Moves'Pramodha Weerasekera, E- Flux Criticism, September 17, 2024 -
The Otolith Group: Mascon
Neubauer Collegium for Culture and Society | September 27 2024–January 10 2025E- flux, September 15, 2024 -
The best of art in the month ahead
Avantika Bhuyan, Live Mint, August 2, 2024 -
Indian Artist Prajakta Potnis Receives the 2024 Loewe Foundation / Studio Voltaire Award
Francesca Aton, ARTNews, July 18, 2024 -
Project 88 Presents Artists' Film International 2024 in Collaboration with Forma, London
Project 88 announces Artists' Film International 2024, showcasing films on the theme of 'Solidarity.' This global program features screenings from July 11-20 in Mumbai, highlighting diverse artists and their works across four continents.Serenade Team, Serenade Magazine, July 10, 2024 -
Mahesh Baliga featured in ART India’s latest issue, ‘Reclaiming Hope’
Art India Magazine, June 21, 2024 -
Artist Neha Choksi digs deep into the earth to answer existential questions
In her ongoing solo, artist Neha Choksi showcases a series of sculptures that look at relationships between material and timeAnindo Sen, Mint Lounge, May 30, 2024 -
Pallavi Paul on her solo exhibition at Gropius Bau, based on two healthcare crises
In a conversation with STIR, the New Delhi and Berlin-based artist and filmmaker reflects on her artistic language in How Love Moves.Ornella D’Souza, STIR World, May 28, 2024 -
'Liminal Gaps' captures the suspended space between two units of time
Four of India’s prominent installation artists come together for Liminal Gaps at NMACC, with works you can enter and exit: physically and virtually.by Ekta Mohta, STIR world, May 10, 2024 -
Love and Loss: Pallavi Paul at Gropius Bau
by Adela Lovric, Berlin Art Link, April 26, 2024 -
‘Liminal Gaps’ at Mumbai’s NMACC plays with history and time
Group show ‘Liminal Gaps’ at Mumbai’s NMACC explores different artist’s idea of liminality, curated by TriadicAastha D, Wallpaper Magazine, April 14, 2024 -
New Colaba exhibition traces the connection between humans and Earthly elements
An America-born artist explores relationships between human beings and the elements, through her latest exhibition in the city she grew up inGautam S Mengle, Mid Day, March 31, 2024 -
The Best of Art Dubai
Saam Niami, Elephant , March 14, 2024 -
Ashwini Bhat by Soumya Netrabile
Working with clay to connect the human, natural, and divine.Soumya Netrabile, BOMB, February 14, 2024 -
Shows To See During Mumbai Gallery Weekend 2024
the editors, Art Asia Pacific, January 8, 2024 -
11 art exhibits not to miss at Mumbai Gallery Weekend 2024
The latest edition of Mumbai Gallery Weekend is set to take the city by storm from 11 to 14 January 2024. Here’s what to watch out for.Sridevi Nambiar , Architectural Digest, January 8, 2024 -
From Santiniketan to London: Tracing Sushen Ghosh's artistic evolution
The late artist’s recent show at Project 88 and Gallery 88 shines a light on this visionary sculptor from the Santiniketan tradition.Editors, Architectural Digest, December 23, 2023 -
Gesture as a Visual Language
Amol K Patil, e-flux Journal, Issue #141, December 15, 2023 -
Dipping into the colour of infinity
The exhibition showcases a diverse array of art forms, encompassing painting, sculpture as well as video and installation artNeha Kirpal, Deccan Herald, December 10, 2023 -
Born Of Earth And Fire
Ashwini Bhat explores the elemental relationship between earth and fireKate Mothes, Dovetail Magazine , December 2, 2023 -
Raqs Media Collective, An Interview
By The Collective Eye, November 23, 2023 -
The new DBF/KMB Award commemorates its first South Asian recipient at London’s Hayward Gallery
Find Amol K Patil’s The Politics of Skin and Movement presented at and by the Hayward Gallery in collaboration with Durjoy Bangladesh Foundation and the Kochi Biennale Foundation.Alisha Lad, Architectural Digest, November 14, 2023 -
Marketing art
Works of 22 artists displayed at the heart of Lahore evoke bygone memoriesQuddus Mirza, TNS: The News on Sunday, November 12, 2023 -
Celebrating Deutsche Bank’s 20 years as Global Lead Partner of Frieze art fairs with a series of 20 articles on 20 featured artists.
This article forms part of a special series celebrating Deutsche Bank’s 20 years as Global Lead Partner of Frieze art fairs, taking a closer look at 20 artists we have collaborated with and whose work features in the Deutsche Bank Collection.Editors, Deutsche Bank, November 11, 2023 -
Amol K Patil’s Solo Expo To Mark Reopening Of Hayward Gallery’s HENI Project Space
Staff, Manorama, October 31, 2023 -
Issue 84
Showcasing artists and works that caught my attention.Darren Prouty, London Art Roundup, October 30, 2023 -
Frieze London 2023 Artwork Highlights
Despite The Guardian's Jonathan Jones describing the fair as 'a graveyard of creativity'—taking particular aim at Damien Hirst's floral canvases as epitomising all that he felt wrong in the world of Frieze—a selection of works suggested otherwise, from aElaine YJ Zheng, Ocula, October 18, 2023 -
Installation At Kochi Biennale Finds New Iteration In Solo Show In London
Staff, The Hindu, October 10, 2023 -
John Akomfrah and the Otolith Group Discuss Post-Cinematic Blackness
During the turbulent summer of 2020, the filmmakers decided on decentring the human in their practiceJohn Akomfrah, Frieze, September 20, 2023 -
Best Art Exhibitions To Look Forward To Around The World This Autumn
From Sharjah to New York, Dubai to Vienna, The National picks the highlights from the upcoming seasonMelissa Gronlund, The National News, September 11, 2023 -
The Image Is A Reference Point To Talk About A Larger Life – Munem Wasif
Zahra Amiruddin, Arttaca, September 2, 2023 -
In the eye of the storm
On Huma Mulji's 'Your Tongue in My Mouth'Asma Mundrawala, Foreground File Note #4, July 31, 2023 -
Hayward Gallery, Durjoy Bangladesh Foundation and Kochi Biennale Foundation announce Amol K Patil as first recipient of new collaborative award
Mark Westall, FAD Magazine, July 19, 2023 -
Raqs Media Collective Interview: 1980 in Parallax
Eszter Steierhoffer, Jencks Foundation, July 12, 2023 -
Manchester International Festival Opens With Moving Mayfield Park Performance
The artwork Each Tiny Drop transported water from the Soan River in Pakistan to the MedlockBen Arnold, Manchester Evening News, June 30, 2023 -
Artist Sandeep Mukherjee Plays With Movement In His Experimental Laboratory
The Los Angeles-based artist experiments with dynamic abstraction in his studio, the layout of which can be changed and reconfigured with different projectsAvantika Bhuyan, Mint Lounge, June 18, 2023 -
Phantomgarh: A Visual Series By Sarnath Banerjee
In Episode 10 of the fortnightly column, Sarnath Banerjee tells us how people in the Middle Ages coped with lockdown and social distancing.Sarnath Banerjee, Mint Lounge, May 30, 2023 -
Attend This Unique Art Exhibition In Mumbai That Goes Against The Concept Of Boundless Creativity
Attend an immersive display by contemporary artist Sandeep Mukherjee that explores the limits to reality and its wondersDevanshi Doshi, Mid-Day, May 12, 2023 -
PREVAILING LATITUDE
Siddhartha Mitter on the Sharjah BiennialSiddhartha Mitter, Artforum, May 3, 2023 -
Hemali Bhuta’s Work At The Singapore Biennale Dapples With The Dualities Of Art
Hemali Bhuta’s exploration of an intangible quality like time into a recalcitrantly present sculptural entities at the Singapore Biennale.Urvi Kothari, STIR World, April 22, 2023 -
Here Is How This Mumbai Art Gallery Has Gone Online To Make Art More Accessible
Starting this month, Colaba gallery Project 88 will embark on a new digital project to take its exhibitions — past and present — onlineShriram Iyengar, Mid-Day, April 7, 2023 -
Attend these art exhibitions by two young artists in Mumbai this week
This week, don’t miss on these shows that draw from familial and community experiences by two young and exciting artists on Mumbai’s art sceneTanishka D’Lyma, Mid-Day, March 21, 2023 -
Amol K Patil’s Art Confronts Social Inequalities In Unique Moving Ways
Be it with his kinetic installations that vibrate on a closer look or the multi-media installations that foreground caste hierarchies, Mumbai-grown artist and archivist Amol K Patil is making waves in the art worldHaima Deshpande, Outlook, March 12, 2023 -
Within The ‘Belly Of The Strange’ Lies Poetry And Knowledge
Rupali Gupte and Prasad Shetty's immersive installation with bulbous form, colour and materiality at the Dhaka Art Summit 2023, was an exercise in place-making.Devanshi Shah, STIR World, March 9, 2023 -
In Bangladesh, the Dhaka Art Summit Blooms
Stephanie Bailey , Ocula, February 15, 2023 -
Munem Wasif: Kromosho
Mario D'Souza, Artforum, February 1, 2023 -
Inquiring the importance of Mumbai Gallery Weekend in expanding the art economy
STIR speaks with some of the participating galleries at the Mumbai gallery Weekend 2023, which brings together art collectors and enthusiasts for the event spread across four days.Pallavi Mehra, STIR World, January 12, 2023 -
The Top Ten Shows in the UK and Ireland in 2022
From Howardena Pindell’s harrowing retrospective at Kettle’s Yard, Cambridge, to Garrett Bradley’s moving debut at Lisson Gallery, LondonSean Burns, Frieze, December 19, 2022 -
‘Kromosho’: Munem Wasif Tells Dhaka’s Story
Editors, The Daily Star, December 3, 2022 -
Mumbai Diary: Wednesday Dossier
Dhaka calling MumbaiEditors, Mid-Day, November 16, 2022 -
Temporalities and Memories: Hemali Bhuta’s “Aha!”
Meera Menezes, ArtAsiaPacific, November 16, 2022 -
'Xenogenesis' showcases cross-sectional works by The Otolith Group at IMMA, Dublin
The experimental works, part of The Otolith Group: Xenogenesis show at the Irish Museum of Modern Art, reflect the collective's commitment to 'a science fiction of the present'.Dilpreet Bhullar, STIR World , November 15, 2022 -
VISUAL VISTAS FROM INDIAN ARTWORLD AT FRIEZE LONDON 2022
Editors, MASH India, October 22, 2022 -
Hemali Bhuta: Learning / Working
Hemali Bhuta in conversation with Dorothée PerretDorothée Perret, ParisLA, October 19, 2022 -
Huma Mulji: Mobility, Art and Belonging
Simone Wille, LSE Blog, October 17, 2022 -
Frieze Frame: Indian galleries with rich palette of senior, emerging artists' work in London
Mulji’s works are part of Mumbai-based gallery Project 88’s group show at this year’s FriezeTrisha Mukherjee, Indian Express: Indulge, October 16, 2022 -
Archaeology of the future
Artist Risham Syed offers a view of our existence, normally unnoticed due to its familiarityQuddus Mirza, TNS: The News on Sunday, October 9, 2022 -
Make these 4 events a part of your to-do list for the week ahead
Whether it is an exhibition of unseen archival photos or conversations with leading writers about their craft, the week ahead is packed with art and culture eventsEditors, Mint Lounge, August 13, 2022 -
documenta fifteen is a sum of its parts, not a single event
Stephanie Bailey, Ocula, July 14, 2022 -
‘When we grew up, Luis Buñuel was on Channel 4’: the proudly highbrow Otolith Group
The duo behind Otolith talk about their complex collaged videos, which tackle everything from lost utopian thinking to the concept of vertical time. Why do they think the apocalypse is already here?Oliver Basciano, The Guardian, July 6, 2022 -
The Otolith Group's Science Fiction of the Present
In the context of an expansive practice that weaves archival and contemporary images and sounds, The Otolith Group blends poetry and fiction with the documents of lived histories to conceptualise speculative, inclusive futures and languages of becoming.Stephanie Bailey, Ocula, July 6, 2022 -
Munem Wasif’s solo exhibition starts in Austria
Editors, New Age, June 25, 2022 -
Mahesh Baliga Paints to Remember
The artist’s first solo exhibition at David Zwirner, London, absorbs us into single, intimate momentsTom Morton, Frieze , May 23, 2022 -
Artist Mahesh Baliga to make international debut at David Zwirner Gallery in London with solo exhibition, Drawn to Remember
The gallery, whose headquarters is in New York and also has branches in London, Paris and Hong Kong, represents the who’s who of the global art world like Yayoi Kusama, Donald Judd and Carol BoveMaithreyi Soorej, Indian Express, May 22, 2022 -
In the Studio With Mahesh Baliga
Cleo Roberts-Komireddi, Ocula, May 20, 2022 -
Mahesh Baliga’s show in London’s David Zwirner is the first ever by a contemporary Indian artist
Titled ‘Drawn to Remember’, the exhibition explores the pain of the pandemic, while showing glimmers of hope, healing and rebirth of a new worldGautami Reddy, Architectural Digest, May 12, 2022 -
documenta fifteen's 'lumbung' artists on embodied resistance via collective action
Multiple voices of resistance will come together for lumbung - documenta fifteen, scheduled to open in Kassel, Germany in June 2022.Srinivas Aditya Mopidevi, STIR World, May 8, 2022 -
ONE HUNDRED THOUSAND SUNS: A MAJOR NEW FILM INSTALLATION BY ARTIST AND AMATEUR ASTRONOMER ROHINI DEVASHER
Mark Westall, FAD Magazine, May 3, 2022 -
Mahesh Baliga – interview: ‘Collected sorrow becomes my work. My work is autobiographical’
As his first solo show outside India takes place at David Zwirner in London, Baliga explains why pain and suffering, both his and that of others, are at the root of all his paintingsEmily Spicer, Studio International, April 22, 2022 -
Why you should look forward to Mahesh Baliga’s first international solo exhibition
The Vadodara-based artist–whose work is on display at David Zwirner in London–tells us about painting from memory and how inspiration is found in daily moments that resonate with him emotionallyGayatri Rangachari Shah, The Established, April 12, 2022 -
Neha Choksi’s ‘Urgency and Longing’: impressions of touch during the pandemic
At Galerie Barbara Thumm’s experimental online platform ‘New Viewings,’ Neha Choksi incorporates glass as an intermediary to explore impressions of touch in her solo exhibition.Vidhur Sethi, STIR World, January 13, 2022 -
Review: art collective The Otolith Group creates 'a science fiction of the present'
Xenogenesis on view at Sharjah Art Foundation until February explores themes of alienation and looks at the world from an extraterrestrial perspectiveNadine Khalil, The National News, December 23, 2021 -
Works show evolution of artistic process
ISLAMABAD: Light gives art life. It directs the gaze and is the main tool of an artist while he or she creates.Editors, DAWN, December 10, 2021 -
Raqs Media Collective’s recent exhibition in Vienna speaks against ‘hunger for time’
This conversation unpacks with Raqs Media Collective the curatorial vision that shaped the ongoing Hungry for Time exhibition, at the Academy of Fine Arts, Vienna.Srinivas Aditya Mopidevi, STIR World, December 5, 2021 -
Art Histories of a Forever War
Taipei Fine Arts MuseumEditors, e-flux, October 24, 2021 -
Hemali Bhuta: and the epic did not happen!
Barbara A. MacAdam, The Brooklyn Rail, October 21, 2021 -
Prof. Sandeep Mukherjee's Art Graces YouTube Theater
Robyn Norwood, Pomona College, News, September 16, 2021 -
Phantomgarh: A graphic series by Sarnath Banerjee
As the pandemic marches along, Sarnath Banerjee looks at ways of coping with anxiety, a useful evolutionary response that can easily turn into dreadSarnath Banerjee, Mint Lounge, August 22, 2021 -
Phantomgarh: A graphic series by Sarnath Banerjee
Sarnath Banerjee listens in as Kailashji, the secretary of a housing society in Ghaziabad, debates toxic positivity and gravity with a high-jumperSarnath Banerjee, Mint Lounge, August 8, 2021 -
Phantomgarh: A graphic series by Sarnath Banerjee
In this Pegasus era, Sarnath Banerjee takes a peek into state surveillance and its impact on polemicists who are born and bred in a ‘democracy’Sarnath Banerjee, Mint Lounge, July 25, 2021 -
Phantomgarh: A graphic series by Sarnath Banerjee
As Bangladeshi Prime Minister Sheikh Hasina sends mangoes to Indian politicians, Sarnath Banerjee ponders possible remedies for political diabetesSarnath Banerjee, Mint Lounge, July 11, 2021 -
Vegetal sculptures of Khageswar Rout explore complex natural structures
Khageswar Rout’s Annex & Dissever Code present enlarged, yet intricate organic forms in terracotta that negotiate between reason and instinct at gallery Project 88 in Mumbai, India.Rahul Kumar, STIR World, June 15, 2021 -
Phantomgarh: A graphic series by Sarnath Banerjee
Sarnath Banerjee embarks on a metaphorical journey to the Eastern bloc in search of humour in times of repressionSarnath Banerjee, Mint Lounge, June 13, 2021 -
Emergency, 1984, Jamia attack: The Blind Rabbit speaks truth to power by excavating truth in power
The Blind Rabbit is a fascinating critique of power, uncovering its workings by laying bare its machinery. It shows that much like history, power repeats itself.Ishita Sengupta, The Indian Express, June 9, 2021 -
‘Blind Rabbit’ Director: ‘I Don’t Know Whether Anyone Will Show This Film in India Right Now’
Ann-Marie Corvin, Variety, June 5, 2021 -
Police Violence, Inner Workings Of Power Put Under The Scanner In Artist-Filmmaker Pallavi Paul’s ‘The Blind Rabbit’
Premiered at the 50th International Film Festival Rotterdam earlier this week, 'The Blind Rabbit' looks at the Emergency, 1984 riots, 2019 Jamia Library attack and the 2020 Delhi riots.Faizal Khan, Money Control Features, June 5, 2021 -
Phantomgarh: A graphic series by Sarnath Banerjee
Sarnath Banerjee documents the transformation of families with a long line of norm-core ancestors, into doom-scrollers, awake till the late hoursSarnath Banerjee, Mint Lounge, May 30, 2021 -
This exhibition of Khageswar Rout at Project 88 is a showcase of the tactility of terracotta
Annex and Dissever will be on view till 30 June 2021Shristi Singh , Architectural Digest, May 24, 2021 -
SHEDDING OLD SKIN, DONNING A NEW AVATAR
Art Frieze moves its physical location in New York to the Shed while Indian galleries participate virtuallyGeorgina Maddox, MASH, May 17, 2021 -
Phantomgarh: A graphic series by Sarnath Banerjee
As the dust settles after the Bengal assembly elections, Sarnath Banerjee is captivated by an artwork on how history remembers turncoats and traitorsSarnath Banerjee, Mint Lounge, May 16, 2021 -
Phantomgarh: A graphic series by Sarnath Banerjee
Sarnath Banerjee rediscovers the strange world of Satyajit Ray’s sci-fi as he reads his stories to a friend suffering from a severe bout of covid-19Sarnath Banerjee, Mint Lounge, May 2, 2021 -
'Out-of-place' rhino sculpture among highlights at new Herbert Art Gallery exhibition
UnNatural History will run during the early weeks of Coventry's year as UK City of CultureRobert Rowlands, Coventry Live, May 1, 2021 -
The Complexities of Being Heard in Kashmir
‘Can you hear my voice?’ at Margaret Lawrence Gallery, Melbourne, asks what it means to claim agency amidst sectarian conflictShaad D’Souza, Frieze, April 27, 2021 -
UnNatural History: The Herbert's new exhibition uncovers how artists 'can encourage our ability to act on climate crisis'
A LIFE-SIZE sculpture of a rhino and a time-travelling eco lab form part of UnNatural History – one of the first major exhibitions launching Coventry UK City of Culture 2021 this May.Editors, Coventry Observer, April 21, 2021 -
Phantomgarh: A graphic series by Sarnath Banerjee
In this episode, Sarnath Banerjee surveys the biases of Delhi landlords when it comes to choosing their tenantsSarnath Banerjee, Mint Lounge, April 18, 2021 -
Pomona art professor Sandeep Mukherjee blends color and motion in permanent SoFi Stadium installation
Kate Jones, The Student Life, April 15, 2021 -
Stunning photos of Mumbai’s public clocks reveal how the Indian city is changing over time
Photographer Chirodeep Chaudhuri’s black-and-white images of public clocks recall a different era, before wristwatches or smartphones were ubiquitousKalpana Sunder, Post Magazine, April 9, 2021 -
Phantomgarh: A graphic series by Sarnath Banerjee
Sarnath Banerjee continues his investigations into psychological quirks that lead to extreme conditions and impact the mental health of our societySarnath Banerjee, Mint Lounge, April 4, 2021 -
Phantomgarh: A graphic series by Sarnath Banerjee
Sarnath Banerjee celebrates the power of paying attention to the pulse of a place and recording the slow ruination of ruins in his latest graphic featureSarnath Banerjee, Mint Lounge, March 20, 2021 -
Mumbai: This virtual exhibition shines the spotlight on the epochal shift due to the Covid-19 pandemic
‘Not an Imitation’ at Project88, curated by Rohini Devasher and Pallavi Paul provides artists a platform to creatively express their feelingsPallavi Mehra, Architectural Digest , March 9, 2021 -
EXHIBITION: TRANSIENT TALES
As people grapple with an altered reality and the past year riddled with lockdowns and deaths, the group show Archival Memory curated by Malika Abbas at Gandhara Art helps to put things in perspective.Samar F. Zia, DAWN, February 28, 2021 -
Phantomgarh: A visual series by Sarnath Banerjee
Sarnath Banerjee’s latest story is about four- and two-legged creatures—leopards in Western Cape, Bengal tigers, cheetahs in Iran, Siberian tigers, and four women who study themSarnath Banerjee, Mint Lounge , February 21, 2021 -
Seeding New Visions:
A Reflection on Munem Wasif's Seeds Shall Set Us Free IIAnkan Kazi, ASAP Art, February 10, 2021 -
Phantomgarh: A visual series by Sarnath Banerjee
In Sarnath Banerjee’s latest, Brighu and Sanaa reflect on old photographs, not for their nostalgic appeal but because of the mysterious life of the objects captured by themSarnath Banerjee, Mint Lounge, February 7, 2021 -
The Otolith Group’s Xenogenesis draws on science fiction to create an unsettling mirror of our present time.
Andu Butler, The Saturday Paper, January 30, 2021 -
Phantomgarh: A graphic series by Sarnath Banerjee
Sarnath Banerjee takes us on a quick walk to nowhere in Episode 24 to give us some relief from the pandemic of planning that has besieged the worldSarnath Banerjee , Mint Lounge, January 24, 2021 -
Jameel Library Commissions: Sarnath Banerjee
Jameel Arts Centre, January 18, 2021 -
Phantomgarh: A visual series by Sarnath Banerjee
Sarnath Banerjee gives us a glimpse of a film which is a reverse swing aimed at the three wickets of Indian society—'bhakti’, ‘samman’ and ‘shraddha’Sarnath Banerjee, Mint Lounge, January 10, 2021 -
Reconfiguring the Present: A 2020 List of Other Futures
The films and books that kept us afloat in a calamitous yearAnthony Hawley, Frieze, January 3, 2021 -
Expression of doubt
Peerzada Salman, DAWN, December 24, 2020 -
A new show traces Mumbai's relationship with its public clocks
Chirodeep Chaudhuri's ‘Seeing Time: Public Clocks of Bombay’ is about uncorking memories and re-discovering a city through people’s eyesDeepali Singh, Mint Lounge, December 14, 2020 -
Phantomgarh | A visual series by Sarnath Banerjee
In this graphic feature, Sarnath Banerjee highlights the power of stories to move heaven and earth, heal the sick, and bring hope where there is none. But what does it mean when an entire country begins to be run on stories, real and imagined?Sarnath Banerjee, Mint Lounge, December 13, 2020 -
Itinerant bodies: Raqs Collective’s audience gets lost in the archive
Sierra Élise Hansen, The Michigan Daily, December 7, 2020 -
Sentinels From Another Time: Photographer Chirodeep Chaudhuri shares his favourite photographs of public clocks
Vijayeta Basu, Mumbai Mirror, December 6, 2020 -
Phantomgarh | A visual series by Sarnath Banerjee
Sarnath Banerjee spends an afternoon at the department of serious psychosis, where patients from different backgrounds coexist, as do strange notions of reality and illusionSarnath Banerjee, Mint Lounge, November 27, 2020 -
Phantomgarh | A Visual Series By Sarnath Banerjee
Sarnath Banerjee, Mint Lounge, October 31, 2020 -
A Body Without Organs: In Conversation With Prajakta Potnis
Radhika Sharma, Art Fervour, October 20, 2020 -
Experiments with colour at Frieze London
From Benodebehari Mukherjee’s paper-cut collages to Prafulla Mohanti’s Tantra works and Mahesh Baliga’s paintings of melting time, colour is at the heart of Indian galleries’ showcase at the art fair.Avantika Bhuyan, Mint Lounge, October 12, 2020 -
Five things to do at the 2020 Yokohama Triennale
For its closing weekend, October 10-11, the art festival is streaming two pieces of performance artEmma Steen, Time Out, October 9, 2020 -
John Akomfrah and the Otolith Group Discuss Post-Cinematic Blackness
During the turbulent summer of 2020, the filmmakers decided on decentring the human in their practiceJohn Akomfrah, Frieze , September 23, 2020 -
Phantomgarh | A visual series by Sarnath Banerjee
In Episode 18 of his fortnightly graphic column, Sarnath Banerjee reminds us of the virtues of sleep as a cure for capitalismSarnath Banerjee, Mint Lounge, September 19, 2020 -
Phantomgarh: A visual series by Sarnath Banerjee
In Episode 17 of his fortnightly graphic column, Sarnath Banerjee explores the eternal boredom of the self, induced by the ongoing covid-19 pandemicSarnath Banerjee, Mint Lounge, September 5, 2020 -
Raqs Media Collective: ‘We have been questioning the boundaries of knowledge and art’
The Delhi-based artistic trio on being appointed as artistic director of the Yokohama Triennale and how art can be a form of renewalVandana Kalra, The Indian Express , August 23, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
In Episode 16 of the fortnightly graphic column, Sarnath Banerjee provides a guide to different kinds of sieves, from the plasma membrane to the common colander, that keep out the unwantedSarnath Banerjee, Mint Lounge, August 22, 2020 -
Yokohama Triennale 2020 Photo Report
This year's event moved in a more international directionJennifer Pastore, Tokyo Art Beat, August 20, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
In Episode 15 of his fortnightly column, Sarnath Banerjee wonders how much of the past will survive after the covid-19 pandemic.Sarnath Banerjee, Mint Lounge, August 8, 2020 -
A Triennale In Tune With Our Pandemic-Affected Moment
In the face of climate change, economic and political convulsions, and the coronavirus pandemic, it is our modes of living and of occupying our planet that we must urgently modify.Edward M. Gómez, Hyperallergic, August 1, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
In Episode 14 of the fortnightly graphic column, Sarnath Banerjee explores the charms and allures of European summer houses.Sarnath Banerjee, Mint Lounge, July 25, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
In episode 13 of his fortnightly graphic column, Sarnath Banerjee looks back on the history of plague outbreaks and their moral impact on society.Sarnath Banerjee, Mint Lounge, July 11, 2020 -
Art and the new normal
A show that brings together five artists whose bodies of work refer to the pandemic and the prevailing zeitgeistAasheesh Sharma, India Today, July 9, 2020 -
SHREYAS KARLE In conversation with Melissa Keys
Melissa Keys, Buxton Contemporary: Creative Cosmos, July 6, 2020 -
The Secret Lives Of Objects
Vacating an apartment amid lockdown presents a dilemma about what we can take with us and what we are forced to leave behind.Rosalyn D`Mello, STIR World, June 27, 2020 -
Notes from the Observatory: Saturn 79 minutes ago
Rohini Devasher & Sabih AhmedAjay Talwar, Jeebesh Bagchi and Shveta Sarda, Arts Cabinet, June 24, 2020 -
The Mirrored Sky
On Migration [Essay]Rohini Devasher, Arts Cabinet, June 19, 2020 -
Raqs Media Collective offers a unique vision as the Curator of Yokohama Triennale 2020
STIR speaks to the trio of New Delhi-based Raqs Media Collective about the forthcoming Triennale in Japan, focusing on its curatorial framework and relevance in current times.Rahul Kumar, STIR World, June 17, 2020 -
Phantomgarh: A visual series by Sarnath Banerjee
In Episode 11 of his fortnightly column, Sarnath Banerjee takes us into the world of Promona Sengupta, living in a foreign land during the pandemic, battling anxiety and depressionSarnath Banerjee, Mint Lounge, June 13, 2020 -
Inside Out
Three artists explore the changing relationship among the individual, the city and the homePoorna Swami, Open Magazine, June 12, 2020 -
Call of Solitude
Artists, under the umbrella of the Surviving Self-Quarantine project, tell you how to channel your experiences to help cope with this period of containment and isolationArti Das, Deccan Herald, June 7, 2020 -
From a Lost-referential Land
Anupam Roy, Hakara Journal, June 1, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
In Episode 10 of the fortnightly column, Sarnath Banerjee tells us how people in the Middle Ages coped with lockdown and social distancing.Sarnath Banerjee, Mint Lounge, May 30, 2020 -
Now online: Curatography
Curatography, the first bilingual online platform in Taiwan for discourse on contemporary art and curatorial culture, is scheduled to go online April 30, 2020.Editors, e-flux, May 22, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
In Episode 9 of his fortnightly column, Sarnath Banerjee explores the trigonometry of social distancing, the geometry of isolation, and the algebra of infinite self-discovery.Sarnath Banerjee, Mint Lounge, May 16, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
Sarnath Banerjee, Mint Lounge, May 2, 2020 -
Art Biennials Were Testing Grounds. Now They Are Being Tested.
As the pandemic clears the calendar, curators around the world reimagine how — and if — we will gather for art.Siddhartha Mitter, The New York Times, May 1, 2020 -
Indian artists channel lockdown experiences into insightful, evocative works
Art is serving various functions during the coronavirus lockdown, from expressing individual agency and keeping up the momentum of protest to offering a sense of catharsis and entertainment.Aarushi Agrawal, Firstpost, May 1, 2020 -
Artist Q&A: Raqs Media Collective
Curators, Whitechapel Gallery, April 29, 2020 -
Art in Isolation
Sunaparanta-Goa Centre for the Arts launches its collaborative project – Surviving SQ (Self Quarantine) with an open call to artists to share creative ideas on coping with this period of containment and isolation. We take a deeper look at this wonderfullySamira Sheth, Herald Goa, April 29, 2020 -
Pallavi Paul archives the silence of the pandemic through Share Your Quiet
Part of Surviving SQ by Sunaparanta Goa, the project invites people to share 10-second sounds of everyday ‘quiet’ as an alternative way to cope with the lockdown due to COVID19.Jones John, STIR World, April 27, 2020 -
Raqs Media Collective
Read ArtReview Asia’s interview with the artist-curators – Yokohama Triennale’s 2020 artistic directorsCleo Roberts, ArtReview, April 26, 2020 -
Raqs Media Collective, “Is the World Sleeping, Sleepless, or Awake or Dreaming?” (2014)
The Rearview series addresses blind spots in contemporary art criticism by drawing readers’ attention to an influential text from the past and reflecting on its implications in the present. In this edition, Ania Szremski introduces an essay by Raqs MediaAnia Szremski, e-flux, April 24, 2020 -
Whitechapel Gallery Partners With 20 Organisations To Launch A Global Season Of Artists’ Film Online
Mark Westall, FAD Magazine, April 22, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
With the coronavirus introducing new words into our collective lexicon, Sarnath Banerjee profiles a range of distinct new character types that have emerged in this period of crisis.Sarnath Banerjee, Mint Lounge, April 18, 2020 -
An Indian Artist is Documenting Sounds From People Stuck in Isolation
From the sounds of waves crashing and birds chirping to those of hospital equipment—Pallavi Paul’s “time capsule” captures the sounds of lockdown.Pallavi Pundar, VICE, April 17, 2020 -
Sounds of lockdown
Simran Ahuja, The New Indian Express, April 15, 2020 -
What isolation sounds like
In a new project, video artist Pallavi Paul invites people to capture their experience of self-quarantining via 10-second audio recordings.Dalreen Ramos, Mid-day, April 10, 2020 -
In a Rebuke to Power Lists, Collecteurs Announces Substance 100
The list sought to raise the question, what is the purpose of art in the 21st century?Sam Gaskin, Ocula, April 10, 2020 -
The Lungs of a Loved One
In Prajakta Potnis’s show at Project 88, Mumbai, her uncle’s illness eerily presages the Covid-19 emergencySkye Arundhati Thomas, Frieze, April 9, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
In Episode 6 of Sarnath Banerjee’s graphic feature, Keka decides to apply the principles of social distancing on family WhatsApp groups.Sarnath Banerjee, Mint Lounge, April 4, 2020 -
Saluting women artists of Pakistan
The art world in Pakistan has been blessed with a number of women artists who are recognised not only locally but also by institutions and art lovers all over the world. The book '20 Pakistani Women Artists you should know' is a manifestation of the tremeEditors, Khaleej Times, March 23, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
In Episode 5 of his fortnightly column, Sarnath Banerjee points out the pitfalls of living in the time of social isolation, especially for the elderly and the retired.Sarnath Banerjee, Mint Lounge, March 20, 2020 -
The Unsettling Of Ordinary
Shruti RamlingaiahShruti Ramlingaiah, Art & Deal, March 15, 2020 -
The Telegraph: Mind, Matter And History
VISUAL ARTS: Arresting geometry in shades of textured gold marks Hemali Bhuta’s letterpress printRita Datta, The Telegraph, March 14, 2020 -
Body of work
Back with a solo in Mumbai after four years, Prajakta Potnis delves into the intersection of capitalism and biologyDalreen Ramos, Mid-day, March 13, 2020 -
Take Five
Our pick of the best shows to catch this weekEditors, Mumbai Mirror, March 12, 2020 -
10 Indian Artists Who Are Shaping Contemporary Art
Cleo Roberts-Komireddi, Artsy, March 12, 2020 -
How Political Is The Normal?
Mahesh Baliga’s paintings challenge frameworks that govern the way we perceive everyday occurrencesPooja Savansukha, The HIndu, February 28, 2020 -
Race, history and technology unite for ‘Xenogenesis’ at ICA
Editors, The Commonwealth Times, February 26, 2020 -
How Do We Look Backward to Move Forward? Notes from the 2020 Dhaka Art Summit
The traditional and the technological combine to offer visions of our uncertain futureSkye Arundhati Thomas, Frieze, February 24, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
In episode 4 of his fortnightly column, Sarnath Banerjee ventures a guess about the extent to which Indians may be willing to go to reimagine, rewrite, and retell their historiesSarnath Banerjee, Mint Lounge, February 22, 2020 -
Public clocks of Bombay: In documenting the city's timekeepers, musings on the nature of time
How assisting Chirodeep Chaudhuri for a project on the city’s public clocks evolved into a meditation on time, and memorySurysarathi Bhattacharya, Firstpost, February 14, 2020 -
Dhaka art summit: Moving pictures
'The videos are a kind of critique of those limits and limitations of documenting social, historical, artistic, and ethical struggles that are ongoing in Palestine'Imran Hossain, Dhaka Tribune, February 11, 2020 -
Frozen in time: A photo tour of Bombay's public clocks
Madhu Kapparath, Forbes India, February 8, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
In Episode 3 of his fortnightly column, writer-illustrator Sarnath Banerjee explains why the nation needs a ‘rafoo master.’Sarnath Banerjee, Mint Lounge, February 8, 2020 -
26 days on an oil tanker, and other experiments in art
Painter and printmaker Rohini Devasher’s work explores an interesting intersection of art and science.Manvi Pant, CNBC, February 8, 2020 -
Why Photographer Chirodeep Chaudhuri Is Fascinated By Mumbai’s Public Clocks
A clock shaped like a man with a turban and one featuring only Hindi letters are some of the unusual clocks Chaudhuri has capturedPallavi Chattopadhyay, Indian Express, February 2, 2020 -
Showcase: It's a Normal Day
Editors, Caravan Magazine, February 1, 2020 -
Around the clock
Photographer Chirodeep Chaudhuri’s obsession with time telling devices forms the basis of mapping an unseen MumbaiZahra Amiruddin, The Hindu, January 31, 2020 -
Phantomgarh: A Visual Series By Sarnath Banerjee
In Episode 2 of his fortnightly column weaving fact and fiction, writer and illustrator Sarnath Banerjee explores the sociology of the landlord classSarnath Banerjee, Mint Lounge, January 25, 2020 -
Pallavi Paul’s latest work comments on the ‘authenticity’ of citizenship
Emergency thermal blankets and voices from the past come together in artist Pallavi Paul’s work.Benita Fernando, Indian Express, January 20, 2020 -
Mumbaiwale: Chirodeep Chaudhuri’s Seeing Time is much more than an exhibition of clock photographs
The photographs are really a way to look at a changing city, at public memory, and to see how Mumbai has lived with clocks. How did he manage to do it?Rachel Lopez, HIndustan Times, January 11, 2020 -
Here’s what’s in store for you at the Mumbai Gallery Weekend 2020
Get ready to witness the best of art in the Maximum City—walk through galleries, attend book launches and listen to specially curated talks and more, from January 9-12, 2020Kriti Saraswat-Satpathy, Architectural Digest, January 7, 2020 -
In photos: An exhibition on Mumbai’s clocks reminds us of the spirit that keeps the city ticking
Chirodeep Chaudhuri’s show ‘Seeing Time’ features clocks at public buildings, offices, and residential complexes.Editors, Scroll.in, December 30, 2019 -
Anmol Jelly: A special feature by Sarnath Banerjee
In a nation struggling with record unemployment, two entrepreneurs from Kolkata come up with a panacea for everything that ails us in these dark timesSarnath Banerjee, Mint Lounge, December 30, 2019 -
25 contemporary pieces by Indian artists that cost a lakh or less
Displaying by Mahesh BaligaRosalyn D'mello, Vogue, December 27, 2019 -
Many shades of a star
Editors, Mumbai Mirror, December 12, 2019 -
Yokohama Triennale 2020 launches Sourcebook and the Episōdo series
Editors, e-flux, November 30, 2019 -
Deserts and the mysteries of life
An ongoing art show conjures the Kutch’s landscape to trace conections between the real and the virtual, and the past and futurePooja Savansukha, The Hindu, November 26, 2019 -
Locust Review At London HM
Anupam Roy will present on his work and the “Impossibility of Representation and the ‘Real Image’”Editors, Locust Review, November 19, 2019 -
When the Arts Resist Imperialism
The exhibition Clapping with Stones is a chilling reminder that the history of art is also the history of power.Sharmistha Ray, Hyperallergic, October 8, 2019 -
Exhibition showcasing the Siachen struggle in Delhi
Baptist Coelho’s ongoing exhibition in Sonipat, titled Body Automation, offers a comprehensive view of the living conditions in the difficult terrain.Bijay Chaki, The New Indian Express, September 28, 2019 -
Mrs Gandhi’s double and other stories
Pallavi Paul, a Delhi-based video artist is working on a documentary film that explores the experiences of policewomen during the EmergencyAnandi Mishra, Mint Lounge, September 19, 2019 -
Art with a critical point of view
In a new show, Baptist Coelho demystifies the romanticized figures of the Armed Forces through artworks, images and performancesAvantika Bhuyan, Mint Lounge, September 13, 2019 -
My Mumbai, My Muse
It’s vibrant, it’s stark, it’s full of struggles and it’s the city of dreams. Through the lens of these four, Mumbai in its many hues, is all this and moreSanskrita Bharadwaj, Hindustan Times, August 26, 2019 -
A Dialogue With Indian Crafts: Maggie Baxter
Contemporary Australian artist Maggie Baxter’s ongoing exhibition blurs the line between contemporary art and traditional Indian textile craft practices.Dhara Vora Sabhnani, Mid-day, August 16, 2019 -
The Post-Colonial Theorists Who Changed Contemporary Art
At the Museum of Art and Design at Miami Dade College, ‘Where the Oceans Meet’ looks at the ‘creolizing’ of cultural influences across continents through the lens of Édouard Glissant and Lydia CabreraAlpesh Kantilal Patel, Frieze, August 7, 2019 -
Opening the door to Prajakta Potnis
Prajakta Potnis describes her relationship with the doorbell as ‘feeling responsible to be answerable’. Often, in cities like Mumbai, crime comes to light when the doorbell goes unanswered. But if you’re alive and kicking and still not answering the door,Gitanjali Dang and Khanabadosh, Firstpost, August 2, 2019 -
Black and White
Nine artists dig deep into the many layers of the skin in the exhibition titled ‘Skin: The Finer Nuance’Pallavi Chattopadhyay, Indian Express, July 30, 2019 -
Verve Weekend Guide
From a menu that celebrates the best of Europe to a stage adaptation of My Fair Lady, Verve gives you the lowdown on the events that should be on your radar this weekendEditors, Verve, July 18, 2019 -
The Otolith Group: A Lost Future
Swagato Chakravorty, The Brookyln Rail, June 25, 2019 -
The Place Where India Meets the World: A New Film by the Otolith Group
Presented at the Rubin Museum, New York, can art offer a way of viewing nature as an actor in its own right?Tausif Noor, Frieze, June 25, 2019 -
Delhi | Shrine Empire’s new group show experiments with light, line and liminality
A collection of works by 11 artists that pare art down to its essential elementsGeorgina Maddox, Architectural Digest, April 26, 2019 -
Mission: Disrupt the Accepted
Soumya Mukerji, Platform Magazine, March 29, 2019 -
Rohini Devasher
This article was first published in The Weight of a Petal: Ars Botanica, edited by Sita Reddy, Mumbai: Marg, Vol. 70, No. 2, December 2018–March 2019.Rohini Devasher, Marg Magazine, March 15, 2019 -
What To Expect From Dubai Art Season 2019
The month of March in Dubai means one thing to the art world…Delara Zand, Harper's Bazaar, March 10, 2019 -
Spectral Times: Sarnath Banerjee’s dialogue with the dead
Combining illustrations and radio recordings, Sarnath Banerjee’s new exhibit is a fictional account of a Mumbai we don’t seePhalguni Desai, The Hindu, March 1, 2019 -
‘Doab Dil’ by Sarnath Banerjee: Where the rivers meet
Twin streams, of words and images, drawings and colouring, converge into a seamless wholeSatwik Gade, The Hindu, March 1, 2019 -
The Ghosts of our present
These stories can be enjoyed through both, Sarnath’s minimalist graphic sketches as well as radio recordings.Cherylann Mollan, The Asian Age, February 24, 2019 -
Five artists engage with history and its reclamation at the Kochi Biennale – in order to create a new map to an old world
Look back in anger and some regret.Vandana Kalra, Indian Express, January 13, 2019 -
Enter the world of ecological weird
Rohini Devasher’s artistic genius brings a mishmash of plant and animal species to life in her ongoing solo show, Hopeful Monsters, says Phalguni DesaiPhalguni Desai, The Hindu, December 28, 2018 -
RAQS MEDIA COLLECTIVE APPOINTED ARTISTIC DIRECTOR OF 2020 YOKOHAMA TRIENNALE
News Desk, Artforum, December 6, 2018 -
WHOSE TRUTH IS IT ANYWAY?
Zahra Amiruddin, The Hindu, November 26, 2018 -
INDIAN ARTISTS REACH FOR THE STARS
Benita Fernando, Livemint, November 13, 2018 -
I like to push the possibility of the image a bit further: Filmmaker-Video Artist Pallavi Paul on The Dreams of Cynthia
Sukhpreet Kahlon, Cinestaan, November 3, 2018 -
THE RACIAL IMAGINARY INSTITUTE: ON WHITENESS // THE KITCHEN
Paige Landesberg, Expo Chicago, October 31, 2018 -
“RAQS MEDIA COLLECTIVE: IN THE OPEN OR IN STEALTH”
Tina Rivers Ryan, Artforum, October 30, 2018 -
RAQS MEDIA COLLECTIVE – CAIO LOCKE AND RAMMELZEE THREE REVIEWS
Edward Lucie-Smith, Artlyst, October 30, 2018 -
Platform: Munem Wasif
Shristi Singh, platform, October 30, 2018 -
Shumon Ahmed – “When Dead Ships Travel”
Shanay Jhaveri, Frieze, October 29, 2018 -
Of Land, Labour And Seed
Bangladeshi photographer Munem Wasif’s solo debut in India excavates the many layers of the earth to unearth what lies at the rootTejal Pandey, The Hindu, October 28, 2018 -
Nine Artists I Discovered at Frieze Art Fair
Atelier Judith, Blog, October 11, 2018 -
BETWEEN THE ORGANIC AND THE CONSTRUCTED
Tejal Pandey, The hindu, October 5, 2018 -
The Otolith Group’s O Horizon
Rahel Aima, BOMB, September 18, 2018 -
At the Rubin Museum, the Future Has Arrived. And It’s Fluid.
Holland Cotter, The New York Times, August 9, 2018 -
THE OTOLITH GROUP
The Otolith Group talks about O Horizon, 2018Lauren O’Neill-Butler, Artforum, July 24, 2018 -
Everything you missed from New York’s edition of the Frieze Art Fair 2018
South Asia shone bright this year at one of the world’s biggest showcase of contemporary art.Sharmistha Ray, Elle Magazine, May 21, 2018 -
Artforum: Munem Wasif
Jyoti dhar, Artforum, February 1, 2018 -
The Hunger Artist Bangladeshi Photographer Munem Wasif Debuts In India With Stunning Show
