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The Otolith Group

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  • The Otolith Group, installation view of “Mascon: A Massive Concentration of Black Experiential Energy,” 2024, at the Neubauer Collegium for Culture and Society. Courtesy the artists, greengrassi and Project88/Photo: Robert Heishman

    Common Destiny: A Review of The Otolith Group at Neubauer Collegium and the Art Institute

    Jen torwudzo-Stroh, NewCity Art Chicago, December 4, 2024
  • The Otolith Group, Mascon: A Massive Concentration of Black Experiential Energy, 2024. © The Otolith Group. Courtesy of The Otolith Group, greengrassi and Project88.

    The Otolith Group: Mascon

    Neubauer Collegium for Culture and Society | September 27 2024–January 10 2025
    E- flux, September 15, 2024
  • John Akomfrah and the Otolith Group Discuss Post-Cinematic Blackness

    During the turbulent summer of 2020, the filmmakers decided on decentring the human in their practice
    John Akomfrah, Frieze, September 20, 2023
  • The Otolith Group, ‘Xenogenesis’, installation view, IMMA, 2022. Courtesy: the artists and IMMA, Dublin; photographer: Ros Kavanagh

    The Top Ten Shows in the UK and Ireland in 2022

    From Howardena Pindell’s harrowing retrospective at Kettle’s Yard, Cambridge, to Garrett Bradley’s moving debut at Lisson Gallery, London
    Sean Burns, Frieze, December 19, 2022
  • Installation view, The Otolith Group: Xenogenesis, 2022, IMMA. Image: Ros Kavanagh; Courtesy of artists and IMMA, Dublin

    'Xenogenesis' showcases cross-sectional works by The Otolith Group at IMMA, Dublin

    The experimental works, part of The Otolith Group: Xenogenesis show at the Irish Museum of Modern Art, reflect the collective's commitment to 'a science fiction of the present'.
    Dilpreet Bhullar, STIR World , November 15, 2022
  • Mask hysteria … from O Horizon, by the Otolith Group. Photograph: Courtesy of The Otolith Group and LUX, London

    ‘When we grew up, Luis Buñuel was on Channel 4’: the proudly highbrow Otolith Group

    The duo behind Otolith talk about their complex collaged videos, which tackle everything from lost utopian thinking to the concept of vertical time. Why do they think the apocalypse is already here?
    Oliver Basciano, The Guardian, July 6, 2022
  • The Otolith Group's Science Fiction of the Present

    In the context of an expansive practice that weaves archival and contemporary images and sounds, The Otolith Group blends poetry and fiction with the documents of lived histories to conceptualise speculative, inclusive futures and languages of becoming.
    Stephanie Bailey, Ocula, July 6, 2022
  • The Otolith Group’s ‘O Horizon’, 2018. A video installation on view at Xenogenesis, Sharjah Art Foundation, 2021. Photo: Shanavas Jamaluddin

    Review: art collective The Otolith Group creates 'a science fiction of the present'

    Xenogenesis on view at Sharjah Art Foundation until February explores themes of alienation and looks at the world from an extraterrestrial perspective
    Nadine Khalil, The National News, December 23, 2021
  • The Otolith Group’s Xenogenesis draws on science fiction to create an unsettling mirror of our present time.

    Andu Butler, The Saturday Paper, January 30, 2021
  • Reconfiguring the Present: A 2020 List of Other Futures

    The films and books that kept us afloat in a calamitous year
    Anthony Hawley, Frieze, January 3, 2021
  • John Akomfrah and the Otolith Group Discuss Post-Cinematic Blackness

    During the turbulent summer of 2020, the filmmakers decided on decentring the human in their practice
    John Akomfrah, Frieze , September 23, 2020
  • Nan Goldin, Die-in (2019). Staged inside Harvard's Arthur M. Sackler Museum protesting the Sackler family's ties to Purdue Pharma and the opioid crisis. Courtesy Justin Kaplan/WBUR.

    In a Rebuke to Power Lists, Collecteurs Announces Substance 100

    The list sought to raise the question, what is the purpose of art in the 21st century?
    Sam Gaskin, Ocula, April 10, 2020
  • The Institute for Contemporary Art hosted their opening reception for "The Otolith Group: Xenogenesis" on Friday. Photo by Aaron Royce

    Race, history and technology unite for ‘Xenogenesis’ at ICA

    Editors, The Commonwealth Times, February 26, 2020
  • How Do We Look Backward to Move Forward? Notes from the 2020 Dhaka Art Summit

    The traditional and the technological combine to offer visions of our uncertain future
    Skye Arundhati Thomas, Frieze, February 24, 2020
  • Dhaka art summit: Moving pictures

    'The videos are a kind of critique of those limits and limitations of documenting social, historical, artistic, and ethical struggles that are ongoing in Palestine'
    Imran Hossain, Dhaka Tribune, February 11, 2020
  • The Otolith Group, Santiniketan Studies (A Century Before Us II): Tapovan Study Circle, 2018. Digital collage on Somerset Museum Rag paper, 13 1/2 x 20 inches. Courtesy the artists.

    The Otolith Group: A Lost Future

    Swagato Chakravorty, The Brookyln Rail, June 25, 2019
  • The Place Where India Meets the World: A New Film by the Otolith Group

    Presented at the Rubin Museum, New York, can art offer a way of viewing nature as an actor in its own right?
    Tausif Noor, Frieze, June 25, 2019
  • The Otolith Group, O Horizon, still, HD, colour, 81 minutes 10 seconds, 2018. Commissioned by Bauhaus Imaginista and co-produced with the Rubin Museum and the kind support of Project 88.

    Five artists engage with history and its reclamation at the Kochi Biennale – in order to create a new map to an old world

    Look back in anger and some regret.
    Vandana Kalra, Indian Express, January 13, 2019
  • The Otolith Group, Santiniketan Studies (A Century Before Us II): Tapovan Study Circle, 2018, digital collage, 13.5 × 20 inches. Courtesy of the artists.

    The Otolith Group’s O Horizon

    Rahel Aima, BOMB, September 18, 2018
  • From the exhibition “A Lost Future,” a digital collage “Santiniketan Studies (A Century Before Us II): Infinite Study” (2018), by The Otolith Group.

    At the Rubin Museum, the Future Has Arrived. And It’s Fluid.

    Holland Cotter, The New York Times, August 9, 2018
  • The Otolith Group, O Horizon, 2018, 4K video, color, sound, 81 minutes. Commissioned by bauhaus imaginista and coproduced with the Rubin Museum of Art and Project 88.

    THE OTOLITH GROUP

    The Otolith Group talks about O Horizon, 2018
    Lauren O’Neill-Butler, Artforum, July 24, 2018
  • THE OTOLITH GROUP, IN THE YEAR OF THE QUIET SUN

    e-flux, January 15, 2014
  • THE OTOLITH GROUP – MEDIUM EARTH

    Robin Selk, x-traonline, December 12, 2013
  • FRIEZE LONDON 2013

    Ambika Rajgopal, Saffronart blog, October 26, 2013
  • THE OTOLITH GROUP – Artforum Critics’ Pick

    ArtForum, April 21, 2013

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