The Southwest City That Turned Itself Into an Essential Art Outpost

Patricia Leigh Browns, The New York Times, July 28, 2025

I ventured to Santa Fe Village, with its broken-down-saloon gunslinger aesthetic, a historic building in town redone by hippies.

 

It was the perfect spot to find Amol K. Patil, a conceptual artist who divides his time between Amsterdam and Mumbai, India. “It has nostalgia,” he said of his space’s cracked walls, plastered-over windows and lumpy floors. The environment dovetails with his current work examining low-caste labor and the chawl system — century-old tenement housing for Mumbai laborers that is rapidly giving way to skyscrapers. One powerful sculpture evokes Dalit manhole-cleaners being lowered into dark water and looking up to see a circle of light, a task so onerous “they have to drink cheap alcohol to tolerate it,” he said...

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