Pallavi Paul pursues a single goal across diverse disciplines: to make visible that which cannot normally be seen. Between 2013 and 2022, her works took inspiration from topics including India’s feminist movements (Long Hair, Short Ideas, 2014), the children abducted to fill arrest quotas for juvenile delinquency in the late 1970s (The Blind Rabbit, 2021), and the 2019 discriminatory citizenship law which precludes the naturalization of Muslims fleeing from Pakistan, Afghanistan, and Bangladesh due to fear of religious persecution in their home countries (in Far Too Close, 2020). Made between Paul’s bases in Delhi and Berlin, these multimedia installations, participatory performances, photographs, texts, and watercolors touch on concepts such as breath, grief, death, secrets, disappearance, reverie, and injustice.
Pallavi Paul
Review of 'How Love Moves'
Pramodha Weerasekera, E- Flux Criticism, September 17, 2024
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